(Originally performed on May 12-15, 8:00 P.M. – Walt Disney Concert Hall)

Dudamel conducts Mackey and Brahms

On the program: the west coast premiere of a contemporary piece for violin and orchestra by Mackey and the famous Brahms Requiem. It’s a fabulous opportunity to hear and see world class performers performing great masterworks of music. Tune in!

Kudos to Alpert Studio violinist Jessica Chao on her participation in the Redlands Community School of Music and the Arts first annual string competition, recently held at the University of Redlands.

Jessica’s performances of Vivaldi and Dvorak took first place in the Junior Division of the competition. Congratulations to the Chao family for their accomplishment!

Thanks so much for your help. I am a 54 year old male … who in Sept. 2010 began playing the violin in a group strings program at. We have group lessons twice a week. I had decided to begin learning to play the viola also and need to buy a viola, 16.5 I think. There are so many brands including Franz Hoffman, Klaus Mueller, Palatino, Yin-Yin,  etc. I need an inexpensive instrument and was considering the Yin-Yin or Mueller Prelude, or Franz Hoffman. Shar Music has Franz Hoffman, Instrumental and Southwest have the other brands but I can’t find any kind of review of the various brands. Can you help with a resource for reviews or give me some direction in this? –John

Thankfully, today there are more resources than ever to obtain a quality violin or viola on a tight budget. This is especially true since factory made instruments imported from China have dramatically improved in recent years. This article from Strings Magazine tells the story, as directs you to additional resources that you’ll find helpful.

Remember, it’s easy to be fooled by appearances, so if you’re not certain about the craftsmanship of any instrument, be sure to have it checked by a luthier or professional player/teacher who you trust. The cost to remediate a poorly made violin can easily exceed what you paid for it. I’d suggest avoiding private party sellers on e-Bay. Stick with a known dealer with a clearly defined return or trial policy.

SOS!
I am 14, I and I will be taking my ABRSM Grade 8 exam on Thursday and I am very worried about it. My pieces are fine, my scales are o.k…
I am a very last minute person, yet a perfectionist which is what I absolutely hate about myself. I am terrible at sight reading and I did my Grade 5 Theory when I was 9 and got a Merit. However five years later, I can’t remember anything at all and it has affected my Aural Training where I am required to recognize Cadences and Modulations. I don’t even know why I’m telling you all this but I’ve resolved to Google to try and solve my problems because I am in absolute desperation. My teacher is quite pleased with my work and everyone keeps telling me that my exam will be fine but I keep doubting myself and I really don’t know what will happen.

My question now is, How can I “get into the music” when I’m playing? When i play I stand up stiff as ever, occasionally I sway and my eyes are always closed but I just don’t know how to feel the music… Any suggestions?

There are many resources to help us relax and focus while performing. Yoga, meditation and breathing practice as well as jogging are helpful. A good diet, and avoidance of caffeine also help. Avoid eating just before performing. A light meal 3 or 4 hours before works well for me. Books such as The Inner Game of Music and A Soprano on Her Head are worth reading.

Learning how to practice correctly is HUGE. Last minute is not the right approach. When you’re on stage, what you are playing should be comfortable in every sense of the word. Avoid performance situations that are likely to go wrong. Yes, take chances on stage, but make them sensible. Practice only so long as you getting results and feeling focussed.

Go deep in the music you select. Choose pieces than inspire you. Learn a lot about the composer and his world.

Beyond that, I hear a lot of stress in this violinist’s question. As a musician, are you willing to accept where you are now? To be OK with what you’ve accomplished to date, and have faith that others will enjoy what you alone can share musically? It’s *you* that must be pleased with your work. Release any attachment to how you think you should be playing and go with the way things are NOW. Fighting with the present only makes the present worse.

Your teacher should help you select music that is appropriate for your current level of technique and musical maturity. Go on stage ready to enjoy the performance, and just let the music happen. In short, play what you can play well, and be happy.